Science and Education a New Dimension
Iss. 106. 2016.
Khodakovska N. G. Lexical and syntactic stylistic means German poetry of the first half of the 17 century
Abstract. This article is about the lyrics of German poets of the first half of the seventeenth century. The article considers lexical and syntactic stylistic tools that are typical for lyrics of the Baroque period. Poets in the Baroque epoch was taking a real world as the illusion and dream. A realistic description was often combined with their allegorical image. Widely used are metaphors, symbols, antithesis, repetition (anaphora), oxymoron, epithets, list (asyndeton, monosyndeton, polysyndeton), comparison. The lyric poets from the first half of the seventeenth century have introduced human outlook of the period of the Thirty Years War: despair and confusion. Therein is their pessimism. All earthly things for them are a mistake and a disturbing dream.
Keywords: lyric poetry, baroque, lexical and syntactic stylistic tools, metaphor, antithesis, anaphora, epithet, list, oxymoron.
Khodakovska N. G. Lexical and syntactic stylistic means German poetry of the first half of the 17 century
Kyrylova V. The syntax of the sentence in terms of its expressive function in the original and in the translation
Abstract. In the spotlight of given article there is the problem of translation of the emotionally expressive units of the art text, in particular the use of the expressive syntax in artistic works of the Ukrainian writer Mykhailo Kotsiubynsky. In the article, the main types of syntactic figures used for emotional expressiveness of art speech are considered. Through comparative analysis of the initial and purpose-oriented texts, we have illustrated the feature of the translational method of Emil Kruba and characteristic ways of preservation of author’s expressiveness in French translation.
Keywords: syntax, syntactic figures, expressiveness, artistic works, French translation.
Kyrylova V. The syntax of the sentence in terms of its expressive function in the original and in the translation
Kyslyak L. N. Pokuttya-Hutsul Dialectal Evidence of Pronominal Accidence in the Patois of the Village Kubayivka, Nadvirna District
Abstract. The dialectical peculiarities of pronouns accidence in the patois of the village Kubayivka, Nadvirna district have been analyzed in the paper. The Hutsul and Pokuttya dialectal features in pronominal paradigm have been detected.
Keywords: pronoun, the vernacular of Pokuttya, Hutsul dialect, patois, grammatical form, Kubaivka, Nadvirna district.
Kyslyak L. N. Pokuttya-Hutsul Dialectal Evidence of Pronominal Accidence in the Patois of the Village Kubayivka, Nadvirna District
Lavrenchuk Y. Y. Orthoepy and orthothony in speaking
Annotation. The article deals with the sources and the problem of viewing the pronunciation norm in terms of its two aspects: orthoepy and orthothony due to the realization of English vowel and consonant phonemes by means of allophones in various phonetic positions in the process of speaking.
Keywords: pronunciation norm, orthoepy, orthothony, phoneme, allophone.
Lavrenchuk Y. Y. Orthoepy and orthothony in speaking
N. Ye. Lemish Propositional Constituent for Causal Complex Dominant Cause in English, Dutch, and German: Specifics and Similarity
Abstract. The paper under discussion deals with specifics and similarity of the propositional constituent for the causal complex dominant cause in English, Dutch and German. The definitions of cause from different dictionaries were analysed. The obtained results enabled determination of 81 causal sememes followed by the prototypes identification. It is argued that specifics of propositional constituent in the languages under study is due to different conceptual and language world pictures of different ethnoses, while similarity is explained by the common origin and interrelation of these languages.
Keywords: causal complex, propositional constituent, dominant, cause.
N. Ye. Lemish Propositional Constituent for Causal Complex Dominant Cause in English, Dutch, and German: Specifics and Similarity
Leonova N.V. The modality of military commands and orders of a small genre forms of information
Abstract. The current article analyzes the specific modality of word military commands and orders as small genre forms of information (SGFI) in the contemporary Ukrainian language. We distinguish the types of syntactic modality of the stated units as follows: narrative, exclamatory and imperative. Moreover, the place of word military commands and orders among the other groups of SGFI (messages and announcements at stations and transportation means, lead paragraphs, etc.) is determined. The author highlights the word military commands and orders among other small forms of genre information within the contemporary Ukrainian language, indicating their specific syntax modality. Furthermore, the author evidences that examined type of small genre forms of information in the contemporary Ukrainian language mostly belongs to the oral monologue speech, and proves that in some cases, certainly, fragmentary and situationally, there is modal sense in them due to the emotional coloring of the considered constructions or intonations. The prospects for further researches author sees in the detailed study on the theoretical foundations for modality syntactic category expression in the groups of SGFI by the standardized grammatical sophisticated tools and means of the contemporary Ukrainian language.
Keywords: small genre forms of information, SGFI, syntactic modality, the modality of word military commands, military orders.
Leonova N.V. The modality of military commands and orders of a small genre forms of information
O. V. Levko Somatic means of emotion verbalization in Ancient Greek and Ukrainian linguocultures
Abstract. The article explores the somatic phraseological units and metaphors that serve to verbalize emotions in ancient Greek linguoculture in comparison with Ukrainian linguoculture. In particular, it focuses on units with the components “heart”, “liver”, “viscera” and “midriff”. Units with the components “heart” and “liver” are shown to be common in both linguocultures, while phraseologisms with “viscera” and “midriff” are only typical for ancient Greek linguoculture as a reflection of the archaic stage of the interpretation of human inner world. It has been revealed that units with somatic components are mostly used to describe negative emotions in both linguocultures.
Keywords: somatic phraseologism, verbalization of emotion, linguoculture, heart, liver, midriff.
O. V. Levko Somatic means of emotion verbalization in Ancient Greek and Ukrainian linguocultures
T.V. Lunyova The Development of the Concept BOOK CARVING in the Modern English Discourse
Abstract. The article focuses on the analysis of the development of concept BOOK CARVING in the modern English discourse. The means of the verbalization of this concept in the Modern English are revealed, the set of the structural elements of the concept is singled out and the degree of their cognitive maturity is determined, as well as the most characteristic features of the representation of the concept BOOK CARVING in the English Internet discourse are described.
Keywords: concept, structural element of a concept, conceptual opposition, verbalization, modern English discourse.
T.V. Lunyova The Development of the Concept BOOK CARVING in the Modern English Discourse
Mamosiuk E. S. Deployment of the text’s cognitive-narrative scripts of Nouveau Roman writers: methodological aspect (based on the novel by N. Sarraute "Le Planétarium")
Abstract. The article is devoted to research methodology deployment of cognitive-narrative scripts within narrative structure of Nouveau Roman texts. Predetermination of selected methods and techniques of the narrative text’s type and different characteristics demonstrated by the analysis of N. Sarraute’s novel “Le Planétarium”.
Keywords: narrative structure, cognitive-narrative script, Nouveau Roman text.
Mamosiuk E. S. Deployment of the text’s cognitive-narrative scripts of Nouveau Roman writers: methodological aspect (based on the novel by N. Sarraute “Le Planétarium”)
O. Marutovska Interactive Aspects of Postmodern Sensory Imagery: A Linguistics of Marketing
Abstract. The current study focuses on the issue of interactive sensory imagery widely exploited in mass literature of today, though hardly approached so far within the field of linguistics. In view of non-tenability of traditional ways of interpreting sensory imagery in contemporary fiction from esthetic or stylistic perspectives, postmodern imagery claims for new methods of analysis that require a joint effort of several disciplines. Such methods are based on the assumption that sensory perception is not triggered by monochannel anchors, but involves fluctuations coming from different sensory organs at a time, bringing into force action rather than mere contemplation on the part of the perceiver. Fluctuating perception is defined in this study as engagement of multiple sensory sensations in perceiving fluctuating objects of the literary text reality and implies readers’ involvement. Sensory images in this paper rely upon a fluctuating perception, represent multi-strata models that stratify and overlap, fuse and condense and get transpierced by omnipresent in different strata archetype(s) and symbol(s). Despite such compound structure, archetype or symbol-centered models account for recognizability of sensory image in postmodern linguistic and extralinguistic environment and envisage their interactive potency. It is argued that interactive sensory images in their linguistic dimensions address more elaborate readership, which is demonstrated here via the analysis of four sensory images taken from bestselling books which form the series “A Song of Ice and Fire” by George R. Martin, namely “A Clash of Kings”, “A Storm of Swords 2: Blood and Gold” and “A Dance with Dragons”.
Keywords: symbolic reference, virtual sensory imagery, fluctuating perception, condensation, interpenetration, interactive potency.
O. Marutovska Interactive Aspects of Postmodern Sensory Imagery: A Linguistics of Marketing
Melaschenko M. P. The Problem of Impressionism in the Creative Works of B. Pasternak
Abstract. The article concentrates on the elements of impressionism in the creative works of B. Pasternak. The definition of «impressionism» is clarified; its peculiarities are studied in the literature of the end of the XIX – beginning of the XX centuries. The elements of impressionism are analyzed in the poetry, epic lyrics (poems, novel in verses), stories and autobiographical prose by B. Pasternak. The functions of impressionism in B. Pasternak’s creative works are highlighted. The interaction between impressionism and other trends (romanticism, realism, naturalism, modernism) is described. The article illustrates that impressionism has the following features such as integration (the ability to unite with the other elements of the artistic system such as literature and other kinds of art – painting and music), dynamism (the change of forms and functions in the different periods of writer’s activity), openness (the creation of open structures such as images, plots, motives, artistic time and space etc).
Keywords: impressionism, artistic synthesis, style, genre, lyrics, story, novel in verses.
Melaschenko M. P. The Problem of Impressionism in the Creative Works of B. Pasternak
Mieriemova J. The titles of English, Russian and Ukrainian fairy tales as a special group of proper names
Abstract. The article highlights the titles of the authored fairy tales which are the special group of proper names. The paper presents the title classification of English, Russian and Ukrainian fairy tales due to the meaning they convey. There is a comparative analysis of such titles in the languages under consideration, the common and distinctive features of the given material are given in the article. The functions of the fairy tales` titles are stated in the article.
Keywords: title, name, literary tale, fairy text proper name.
Mieriemova J. The titles of English, Russian and Ukrainian fairy tales as a special group of proper names
Mykytyuk Y. V. Types of realization of the explicit and implicit meanings in the expression of direct and indirect compliments
The article discusses different methods of separation of direct and indirect speech acts, briefly describes the narrow and broad homogenous and modular concept of speech acts and Grice`s Theory of Conversational Implicatures. The complex speech act compliment is classified – by way of expressing intention to direct and indirect and by the degree of expression of semantic components – into direct performative, direct explicit, indirect explicit and indirect implicit.
Keywords: speech act, compliment, direct speech acts, indirect speech acts, explicitness, implicitness.
Mykytyuk Y. V. Types of realization of the explicit and implicit meanings in the expression of direct and indirect compliments
Ochkovska A. P. Peculiarities of the Constituent Arrangement in the Middle English Subject Raising Constructions
Abstract. The article deals with the analysis of the subject raising constructions in the Middle English language form the standpoint of the generative grammar. The Middle English period is considered to be the stage of emergence and development of the subject raising constructions due to such processes as reduction of inflexion system of endings and establishment of fixed SVO word order. It has resulted in emergence of functional T-system, differentiation in the systems of cases and theta-roles and subject requirement in the sentence structure. The establishment of SVO word order results in usage Si V Inf Oi as the basic model of word order in the sentences with the subject raising constructions. However there occurs accentuation in the medial position between raising verb and infinitive and in the initial position of the sentence to put emphasis on the given information.
Keywords: A-movement, subject raising, theta-role, functional projection, structural case.
Ochkovska A. P. Peculiarities of the Constituent Arrangement in the Middle English Subject Raising Constructions
B. O. Pliushch Indirect translation and the issue of culture specific terms rendering
Abstract. Indirect translation is one of scarcely studied topics in translation studies. Translations of some Ukrainian literary works via the third language represent evidence of its prolific as well as clandestine nature. The given article considers a novel (“Tyhrolovy”) by a renown Ukrainian writer Ivan Bahriany in its English and indirect German translations from the standpoint of rendering its culture specific terms. The aim of the given article is to consider the implications of indirect translation, to analyze the correlation between indirect translation and intermediary text as well as to bring attention to the issue of indirect translation in general.
Keywords: translation, indirect translation, culture specific terms, realia, intermediary text, author’s style, the place factor.
B. O. Pliushch Indirect translation and the issue of culture specific terms rendering
Ponomarenko O. O. Blackmail’s and threat’s differentiation from the view of the speech acts theory
Abstract. The article deals with the utterances, with the help of which the speech acts of threat and blackmail in the english dialogical discourse are realized. The analysis of the blackmail’s and threat’s interpretation in the jus and in the lexicographical sources let us to make out the facility conditions of these speech acts and prototypical scenario of its realization, that whereas gave us an opportunity to establish hyponymic relations between these notions, that are based on the submission. The speech act of blackmail is the subtype of the speech act of threat that is determined by the modification of the preparatory and propositional facility conditions – the blackmail deals with the disclosure of the certain true or false information about the addressee that can cause damage to him. The threat is the hybrid speech act, so it combines characteristics of two illocutionary types: directive (addressee’s demand to accomplish the certain action) and commissive (speaker’s obligation to accomplish the certain action in future in the case of demand’s failing). The speaker’s perlocutionary goal is to make the addressee to do a certain action by means of threatening him.
Keywords: blackmail, commissive, directive, hybrid speech act, threat.
Ponomarenko O. O. Blackmail’s and threat’s differentiation from the view of the speech acts theory
T. V. Pylypchuk Verbalization of the stereotype “immigrant as an employee” in comedy shows
Abstract. This article examines the essence of ethnic humour, defines its features and connection to ethnic stereotypes as well as analyses the stereotype of immigrants as people employed in service sector or having small business constructed by comedians in English-speaking stand-up shows. It also specifies linguistic means such as hyperbole, tautology, paraprosdokian, anadiplosis, paradox and amplification that are used by comedians to get comic effect.
Keywords: ethnic humour, binary opposition, comic effect, stereotypes, cognitive dissonance, anadiplosis, paraprosdokian.
T. V. Pylypchuk Verbalization of the stereotype “immigrant as an employee” in comedy shows
Rogoza O. B. Role of paratextual elements of text in the organization of the epistolary novel
Abstract. Article is devoted to detachment of such paratextual elements in the French epistolary novel as titles, dedications, epigraphs, prefaces, remarks and comments of the publisher, the publisher’s epilogues. Such system of paratexts which occupy powerful positions in the novel, is determined by means of the volume-pragmatic segmentation of text, by the example of French epistolary novels of the 18-20th century. The role of text forming elements in the organization of the epistolary novel is also studied in the article, nine main functions of the publisher apparent in the preface to the epistolary novel are defined.
Keywords: volume-pragmatic segmentation, paratext, paratextual elements, title, epigraph, dedication, preface.
Rogoza O. B. Role of paratextual elements of text in the organization of the epistolary novel
